Church, Music, Interpreters
III International Conference
Church, Music, Interpreters: a necessary dialogue
Old Synod Hall - Vatican
7-8-9 November 2019
Themes
- The vocation of the musical interpreter
- The instruments in the composition of sacred music
- Compositional styles
- From graphic sign to improvisation
- Vocal techniques
- A look at interculturality
Speakers
(PDF File with all the abstracts)
Card. Ravasi and Chiara Bertoglio, Hermeneutics and Interpretation
Massimo Donà, The Relationship between Music and the Sacred
James O'Donnell, The Organ as Interpreter
Jordi-A. Piqué, Flatus vocis: the sound of the voice as music in the liturgy
Pawel Lukaszewski, The Language of the Composer
Salvatore Sciarrino, The Use of the Voice
Giovanni Acciai, The Word-Sound Relation in Sacred Vocal Music from the Renaissance to the Baroque
Giuseppe Gullo, Vox Humana: physiological, historical and technical aspects of vocality from the Baroque to the 21st century
Dinko Fabris & Antonio Florio, Interpreting Sacred Music of the Past Today
Richard Mailaender, Choral Music and the Experience of Contemporary Oratories
Pino Di Luccio, S.I., The Mediterranean area - Songs, Music and Dance in the Texts of Monotheistic Religions in the Mediterranean Area
Egberto Bermudez, The South American area - inculturation
Workshops
a) Organ Improvisation
1. Daniel Matrone, Organist, San Luigi dei Francesi
workshop held in Santa Maria in Camposanto Teutonico in Vaticano
2. Theodor Flury, Professor at the Pontifical Institute of Sacred Music
workshop held in the Cappella del Coro in St. Peter's Basilica
b) Interpretation Experiences
1. Richard Mailaender, Choral Music and Direction
2. Pawel Lukaszewski, Composition
The program includes Workshops - Vespers in the Sistine Chapel -
Audience with the Holy Father (Pope's Talk)
Simultaneous translation English / Italian - Italian / English
Registration closed
